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Lately I have been re-evaluating my whole musical perspective. To be honest I have lived two lives for the past 6 years. One of those lives was spent in the world of “art” music. Some of you may know that I am finishing a Doctorate in Music Composition at Rice University. If you know anything about music schools and especially the Composition Departments at prestigious Music Schools or Conservatories you know that they are, or at least think they are, an elite group of people. They basically think that anything pop or rock is at the bottom of the food chain musically. (Although the professors always have secret crushes on the Beatles, Hendrix, Dylan, and Led Zeppelin…sometimes) I know this may be hard to believe but I spent a summer at the Aspen music festival and to my AMAZEMENT all the people in my elite piano studio did not know who BILLY JOEL was. The composition students in these conservatories spend there time stretching the musical norms, pushing boundaries of instruments, programs, and ideas so they have no time for pop culture. It is a different world, altogether.
If that elitism seems far-fetched then imagine what a Screen Actor or Shakespearean actor thinks about acting on soap-operas, or commercials, or even worse, Protestant church dramas. This academia is the environment that I have spent most of my time for the past 13 years. 13 years ago, I was snobbing right along with the best of them.
Growing up, I had always loved the Beatles, Jim Croche, Barbara Streisand, Bon Jovi and the rest of those hair band guys. When I discovered Bach on the Guitar at the age of 13 it was the Great Classical Masters for me with no looking back. I entered a School of Music on a Piano Scholarship at 17 and began to think that all of those great Folk and Rock artists in my youth mere children at the feet of Beethoven, Bach, Stravinsky.
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It wasn’t until I was finishing my bachelors at 21, listening/studying for an exam in the music school’s “listening lounge” that I, just for fun, ran onto a Johnny Cash album, dropped the needle, and became mesmerized. I was in that moment reintroduced to the great Art form of American folk music through one of its greatest Artists.
The following 5 years also saw a return for me to my faith and Church. Along the way I was introduced to Rich Mullins’ Liturgy and Legacy album and the doors were thrown wide open to me for Christian music… I thought.
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After I wore out our Rich Mullins and PFR CDs, I decided again that I mostly hated all Christian music. (Secretly making a little time on the side for “Go West” by Smitty) Despite my disappointment, I still craved music that Glorified God. I returned to Mozart, Brahms, Beethoven and Bach to fill my soul in that area.
So the two lives I have lived have been writing music for the “Art Music” crowd, to which God has blessed me with a great reception with international performances, and in life number 2, -Writing Christian music that sounds like Christian music. I have for the past few years, up until this last year, justifying all these things by saying that I was compartmentalizing the different genres and would happily go along writing in the two styles. I do not dislike some of these songs during this time, but I was mainly writing Christian music to try to get something published or please the little old ladies, therefore molding to a norm. I always felt that these two worlds were as far across the galaxy from each other as you can get musically.
In this last Album, Bitter Kiss, with the help of our fantastically talented producer Josh Moore (Caedmon’s Call) I began the journey of merging those two worlds. The result was something that has practically put me in a state of little-kid-at-Disney-World excitement sometimes. I had more fun on this project than probably anything I have ever done. The best thing about it is that I feel a whole new world of possibilities has opened up for what we are doing. It is just the beginning. I am no longer actively hoping or perusing a big fat record deal or publishing deal. I am no longer trying to fit in a genre. It is altogether about making Art.
God does not make Christian musicians, lawyers, preachers, actors, politicians (especially politicians). God makes artists, or “beings that create for the purpose of beauty.” It is one the most distinguishing factors that separates us from the rest of the animal kingdom. This is what we are; all of us have this to offer. We are artists. A clue into why God made the Universe is in our desire to create. It was his desire, not need, to create. And create He did. It is not a need like hunger or sex; it is something deeper and more mysterious.
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We WANT to create, for the sheer joy of it. These reasons can be mistaken for needs. If we see it as a need then that need can translate into insecurity or depression. How many of us have felt inadequate when we are not doing something we feel is not as good as other people. This is because we think that we NEED to do what we are doing. If we do something for the sheer joy of it, then it never becomes a mode or vehicle for depression. We are alive. I write a song because it is a desire of mine. A desire created out of my state of self-awareness given directly from God. Our ability to create is also one of the most striking resemblances between our Father and us. So….
All that just to say this: In the world of Academia, I used to create music without boundaries, without rules, completely. I would write Christian music for that genre, and in the style of that genre. I am no longer doing that. I am creating full force and free.
I am not saying that I am going to write a-tonal Christian music, (although I might sometime) I am saying that I will no longer put boundaries on any song or music that I compose, in any genre.
This is very exciting for me. A kind of new beginning.
Thanks to those reading who have encouraged this growth by loving both kinds of music. Coming to my crazy Rice University recitals, loving and encouraging then sitting the next day in Church and showing the same kindness as we sing something written for the Church.