I'm John Conner and I do NOT smile. I do scream, quite a bit. I also enjoy screaming into CBs.
There was something about those first Terminator films that really made the films terribly likable and fun: The Govenator.
This film made me remember and miss the campy but HUGELY FUN screen presence of Der Arnold. This film didn't have that presence. Well, not until the end anyways. But even then it wasn't really Arnold, rather, some ridiculous CGI naked ken-doll version of Arnold.
One good thing about reviewing this movie: The plot won't take much summary time. Here goes...
The robots and humans are at war. John Conner (JC initials - okay, people. Enough with the Jesus Christ initial thing. Faulkner pulled it off but it is officially cliche.) is the leader of a rebellion of sorts... But I don't know, you never seem to know who is really in charge. Anyways, they discover that the robots are making hybrid human/machine terminators. The hybrid we get to know thinks he's human and he even has a human heart. Conner of course doesn't believe him. At the end, Conner's heart is damaged in the battle with the cheezy looking Arnold-CGI-Ken-Doll-Naked-Terminator and OF COURSE the hybrid donates his heart. Where's my hanky.
The whole scene is slathered with predictability and I suddenly felt like I was watching an old Stephen Segal action flick, except without the fun. What I used to love about all those old 80s action movies is the moment in which someone describes to the villian just how tough the Stephen Segal character was.
Villian: "Who is this guy?"
Plucky guy who used to know Segal's character way back when: "Well let me tell you... (bombs go off in the distance)... this guy's so bad he could yada yada."
We didn't get a moment like that, of course. What we did get was this: John Conner screaming into a CB "If you don't listen to me then we are dead. WE ARE ALL DEAD." Yawn.
I suppose the Matrix spoiled me to AI movies forever, even though the Terminator was the first great AI action flick. What was great about those first Terminator films was that we were visited by the future and were only given glimpses of the what was to come. Here we are thrust into a future, and unlike Zion in the Matrix, or the make-shift civilizations in Mad Max, humanity is lacking humanity. I was almost rooting for the robots. At least the robots were capable of lowering their voices.
Then came the robots stealing Humans or harvesting them or some reason. Why in the world they would want to harvest an old women is beyond me. More dramatic, I guess. Then there was the cut to the robot who was surveying the prisoners... the steal-skull-faced robot was WEARING A HEADBAND. ??? ??? ???
Again, what is with the color-jacking of current film makers? Does everyone just HATE the color green? I know its in the "future" and I know the planet's been nuked to smitherines by the robots and so forth, but would it kill the guys to at least slightly color the EVERGREENS???
I don't know... I feel like this review is so disjunct and odd -just like the film. It was just a bunch of chuncks and clunks all slammed together with a lot of screaming stuff like "WE ARE ALL GOING TO DIE" and explosions. There was a cool robot who had fast big motorcycles for knees. That scene was cool. I liked the big Godzilla robot.
I hate to say this... but I found the oil driller planting a nuke on an asteroid much much more fun. Dumb, stupid, un-scientific fun.
I will say that the CGI was well done. But who gives a hoot if the story is a loud bore? And event though it was great, there was nothing new offered, unlike the other terminator films which were all cutting edge in their own ways.
I give it C---- I would give it a D or an F if it weren't for that bootlegged cussing outburst that we got to hear and then later as a techno song.
1 comment:
Best line in review: "I was almost rooting for the robots. At least the robots were capable of lowering their voices."
I agree completely. I love one review I saw that said when we look back on Christian Bale's outburst and compare it to the dialogue in the film itself, the profanity-laced outburst looks positively Shakespearean.
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